1 note • 12:01 AM
" Jenny Holzer’s famous truism “Protect me from what I want” renders in a very precise way the fundamental ambiguity of the hysterical position. It can either be read as an ironic reference to the standard male chauvinist wisdom that a woman, when left to herself, gets caught in the self-destructive fury, so that she must be protected from herself by the benevolent male domination: “Protect me from the excessive self-destructive desire in me that I myself am not able to dominate.” Or it can be read in a more radical way, as pointing towards the fact that in today’s patriarchal society, woman’s desire is radically alienated, that she desires what men expect her to desire, that she desires to be desired by men. In this case, “Protect me from what I want” means “What I want, precisely when I seem to formulate my authentic innermost longing, is already imposed on me by the patriarchal order that tells me what to desire, so the first condition of my liberation is that I break up the vicious cycle of my alienated desire and learn to formulate my desire in an autonomous way.” "
Slavoj Žižek, How To Read Lacan (via aminaabramovic)

(Source: linkinparkvevo420696661337, via aminaabramovic)


Today you can call virtually anything “art” and get away with it. One reason for the explosion in what counts as art is that the art world itself has taken up the old theme of getting “art” and “life” back together. Gestures of this kind have lurched between the innocent and the outrageous, from taking quilts into fine art museums or pulp fiction into literature courses, to playing street noises in symphony halls or undergoing plastic surgery on satellite video. The entry of so many eccentric artefacts, writings,noises, and performances into fine art has led some to talk darkly of a “death” of art, or literature, or classical music. Others, wrapped in the banner of postmodernism, agree that the modern fine art system is dead but invite us to dance on its grave in celebration of yet another liberation.

I am less interested in whether we ought to dance or weep than in understanding in how we have come to this place. If we want to make sense of the explosion of what counts as art and the yearning to reunite art and life, we need to understand where the modern ideas and institutions of fine art came from.

»>The modern system of art is not an essence or a fate but something we have made. Art as we have generally understood it is a European invention barely two hundred years old. It was preceded by a broader, more utilitarian system of art that lasted over two thousand years and it is likely to be followed by a third system of the arts. What some critics fear or applaud as the death of art or literature or serious music may only be the end of a particular social institution constructed in the course of the eighteenth century. Yet like so much else that emerged from the Enlightenment, the European idea of fine art was believed to be universal, and European and American armies, missionaries, entrepreneurs, and intellectuals have been doing their best to make it so ever since.

— from Larry Shiner’s ‘The Invention of Art: A Cultural History’ which challenges conventional understanding of Art (artist vs artisan, gender bias, patron vs market, ‘primitive art’ and non existence of autonomous art object in Ancient civilisations etc) and along with this and this is the most useful thing I’ve read concerning Art History. Self initiated learning 4 eva )  (via phoebebishopwright)

(via youngadultfrictions)

91 notes • 7:40 PM

Hunger of the Pine - Alt-J

(Source: libertyandcreativity)

146,687 Plays • 2:37 PM

There is a concept called body autonomy. Its generally considered a human right. Bodily autonomy means a person has control over who or what uses their body, for what, and for how long. Its why you can’t be forced to donate blood, tissue, or organs. Even if you are dead. Even if you’d save or improve 20 lives. It’s why someone can’t touch you, have sex with you, or use your body in any way without your continuous consent.

A fetus is using someone’s body parts. Therefore under bodily autonomy, it is there by permission, not by right. It needs a persons continuous consent. If they deny and withdraw their consent, the pregnant person has the right to remove them from that moment. A fetus is equal in this regard because if I need someone else’s body parts to live, they can also legally deny me their use.

By saying a fetus has a right to someone’s body parts until it’s born, despite the pregnant person’s wishes, you are doing two things.

1. Granting a fetus more rights to other people’s bodies than any born person.
2. Awarding a pregnant person less rights to their body than a corpse.


Hannah Goff (x)

The only pro-reproductive rights argument you’ll ever need.

(Source: kimmymary, via illusionnistes)

the person before me has highlighted and underlined and scribbled over my entire civil rights textbook to the point where some bits you can’t actually read this is killing me

been sitting in this chair since i woke up and its now half five i am so so so so so so so done with work